Archive for the ‘techniques’ Category

VFX and Flight Of The Concords – Together At Last

Friday, May 16th, 2008
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The folks over at Max Bumps have put together a little how-to on the new video Ladies Of The World from VFXhack fave Flight of the Concords. It includes a little Q and A as well as some fun clips of the boys from New Zealand’s 4th most popular folk parody band. The VFX crew over a Ghost Town media tracked the Brett and Jermaine’s heads onto stunt skaters on Venice beach to produce a 70′s flashback extravaganza. The result is a nice mix of Xanadu and the Sabatoge video. The clip is fun, especially the sexy hermaphrodite, and the effects are pretty good for music vid schedule and budget. The heavy use of Colorista and Magic Bullet help blend everything together.

LINK the the full article

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More Insane Comp Scripts

Tuesday, April 29th, 2008

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Reader Eeetu sent over a link to a fairly long running forum on on VFX talk containing many posts of jawdropping examples of node tree hell. Of course Nyarlathotep points out that these ain’t squat compared to the exposure sheets that were needed to do this stuff in-camera in the olden days.

LINK to the thread on VFX talk

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RetroHack 1977: Larry Cuba’s CG For Star Wars (Episode IV)

Tuesday, April 1st, 2008

This clip is 10 minutes of pure VFX gold. It’s a behind the scenes explaining the process behind the Death Star mission briefing in A New Hope. There are some great details here and the process really is a combination of practical and computer techniques. I love that the animation wasn’t keyframed but “performed” real-time by manipulating a bunch of dials and knobs. The creator of this animation was Larry Cuba, a CG pioneer who programmed the film Arabesque with with John Whitney.

LINK to an excerpt of Cuba’s 1985 masterpiece Calculated Movements

Special thanks to Agrapha for the Star Wars link

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Insane Comp Scripts

Friday, March 28th, 2008
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This may look like a map of the human genome but it’s actually a screen grab of an After Effects comp for a Timex commercial. I remember back in the earlier days of CG when we used to laugh at Flame Artists (at that time referred to as “Flame Operators”) who would brag about using over 20 nodes in their comps. My how things have changed. Here’s another gem of node based abstraction from a Battlestar Galactica shot.

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Got a giant mess of a file you want to share? Send your screen grabs and I’ll be happy to share your misery.

LINK to more info on the timex spot

Thanks to L.J. for the BSG pic

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5 Minutes in The Tank

Wednesday, March 26th, 2008

Kerner Optical posted this incredible behind the scenes footage of the miniature tank work they did for Pirates 3. I got the opportunity to blow up some models for the a TV a couple of month ago and nothing in VFX compares to the rush of exploding something for real. Beats being chained to a monitor that’s for sure.

via VFXPlanet

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Visual Effects How-To – Making An LED Tracking Marker

Friday, February 29th, 2008

I’m always on the lookout for a new way to simultaneously do something productive and keep from getting bored while I’m on set waiting for a VFX shot to come up. My latest arts and crafts project involves creating the ultimate LED tracking marker. Now you may ask “Why LEDs? Why not a triangle inside a circle, or newspaper, or a tennis ball for god’s sake!” Well those methods are still valid but the in the right situation and LED tracking marker can really do the trick. Here are some reasons why you might want to go the LED route.

  1. LED stands for Light Emitting Diode. As the name suggests you don’t need to light them because hey are a tiny light source onto themselves. This is perfect for areas of the frame that don’t have enough exposure for your common variety tracking marker.

  2. LEDs hold up better when they are out of focus. When you shot a greenscreen with a long lens and an open F-stop, the background of your shot is gonna go way out of focus. Regular tracking markers turn to mush in this situation causing more a problem for clean-up than helping with the tracking process. The LED will bloom but tends to hold it’s intensity and not break-up as much.

  3. The are small. LEDs are compact and light. A little bit of snot tape on the back and the can be affixed to anything from a patch of skin to a set wall. Ball up in some strong tape (sticky side out of course) and you can even throw them up on a wall that’s too high to reach. No more asking that grumpy grip if you can borrow his ladder.

  4. Power is not an issue. A single battery can keep an LED running strong for days depending on the temperature. Battery life deteriorates rapidly in the cold so if you are shooting outside in the winter, make sure you grab a few packs of extra batteries for your kit bag.

There some things to watch out for with LEDs though. Their biggest strength (the fact that they emit light) is also their biggest weakness. LEDs can spill unwanted light all over the place if they are to close to (or on) the subject they are shooting. Fortunately, LEDs come in different flavors that include color variations and frosted plastic casings. The frosted casing cast a lot less spill but also need to be aligned to point at the lens for maximum effect. Try and find some samples and try out some color and casing combos before you head out. You never know how things could change on set, so it’s important to carry a bunch of LED options with you in your kit bag.

At this point you may be asking yourself “Wow, LEDs sound great. Where can I buy some?”. Well, the short answer is you can’t. You have to build LED tracking markers yourself. But never fear intrepid VFX explorer! Here’s a step by step on on how to create your very own set of LED tracking markers.

Step 1: Buy some LEDs

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You can get these babies on-line or at your local electronics supply store. The come in different colors and you can also find them with frosted plastic. You can frost clear ones yourself with some dulling spray or spray mount. You can also file off the top of the plastic to expose the diode if you want them to be even brighter.

Step 2: Buy Some Heat Shrink Tubing

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This is a great trick. Heat shrink tubing is a strip of vinyl that shrinks down to 1/2 it’s original size when exposed to heat. You can get it in all different kinds of colors including green which makes it almost invisible when affixed to green screen.

Step 3: Buy Some 3 Volt Batteries

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These are the kinds of batteries that most cameras use. You can buy them from a store but it’s much cheeper to buy them in bulk on-lne.

Step 4: Cut the Tubing, Slide in the Battery Apply Heat

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Cut the tubing so that is just a little bit larger than the battery, then just slip the battery inside the tubing. Apply heat with a heat gun and “Viola!”, the tubing makes a nice tight jacket around the battery. Make sure when you are applying heat that you hold the battery and tubing with a pair of pliers so you don’t burn yourself.

Step 5: Insert LED

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All that’s left to do now is slip the wires of the LED between the battery and jacket and you’ve got yourself a tracking marker. You can stick these to surfaces using double sided tape, stick them to people with a Band-Aid or just rest them on flat surface. Happy shooting!

LINK to a del.icio.us tag with places to buy the stuff you need to make your own.

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How To “Fake It” As An Animator

Thursday, February 14th, 2008

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Kevin Kouch over at SynchroLux has written a great post about how a lowly animator tasked with forgotten background characters can add that certain something to their work in spit of “shallow storytelling and empty, superficial characters”. It’s a great read and all of Kevin’s advice can be applied to VFX work as well. I love the idea of “doing more than your job”. Heck, if all I get to do on a shot is far-off smoke plumes, by golly I’m gonna make em the best far-off smoke plumes ever!

LINK to the full atricle (via Cartoon Brew)

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Bullet Time On A Dime

Friday, February 8th, 2008

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Say you want to recreate the famous bullet-time sequence from the matrix for the DVD of your daughter’s ballet recital. You can

  1. Rent the real rig from a vendor for $100,000 or…
  2. Build your own rig in two days for $8,000

This is no joke! A couple of guys actually did this and best of all, posted a detailed how-to on Instructables. It’s a brilliant set-up that includes 24 pro-sumer digital cameras (with shutter cables), some components readily available from radio shack for a controller box, a few random pieces of hardware and some plywood. The resulting images were used to create the VFX for a low-budg rap video and amazingly close to the real deal. These guys really went the extra mile an included cameras with a Bulb setting so they could incorporate light streaks into the shots.

LINK to full tutorial

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BBC’s Attila Out-Bloodies Bloody Omaha

Wednesday, February 6th, 2008

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Remember the guys from the BBC who re-enacted the D-day invasion on shoe string budget with just 3 guys, a greenscreen and enough chutzpah to fill container ship? Well, the Brits are at it again this time with Attila The Hun, but now it’s 250 VFX shots all done by one guy in his bedroon. Oh, and did I mention that guy is also the director of the show? FXGuide has put together an amazing article on how Gareth Edwards (the aforementioned director) pulled off ths Herculean VFX feat. Make sure you check out the podcast and quicktime how to to get the full low down on this incredible project.

LINK to the full FXGuide article (via strongmocha and vfxblog)

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CG Society Top 100 Digs Deep

Thursday, January 31st, 2008

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CG Society just came out with it’s list of the 100 Greatest 3d Movies and it’s chock full of tasty links to a treasure trove of material on how the films were created. The list was generated by an online vote on entries from a short list of 150 films. Because of this, this list is a bit skewed towards newer films (Final Fantasy The Spirits Within is number 9 while TRON comes in at 18!). Aside from my feelings about the ordering of the list itself, the article is chock full of useful info. There are several charts and graphs (interesting to see that most of the fx work was done by only 3 companys) as well as a spiffy timeline. But by far the best part of this article is the related links associated with each film. You’ll find, among others, a great article on Low End Mac chronicling the birth of CGI and tid-bit from Alvy Ray Smith’s site talking about the genesis of The Genesis Effect. It’s worth taking the time to cruise through all links to get a taste of what it took to put these films together.

LINK to my vfxhistory tags on del.icio.us (feel free to add your own tags or suggest more in the comments!)

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