Archive for the ‘opinion’ Category

Goodbye Capt. Cosmic

Saturday, January 10th, 2009
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Any self respecting Bay Area nerd knew Bob Wilkins from his days as the host of “Creature Features” and “Captain Cosmic” (my secret crypto-code fan club card is number 08236 in case you are interested) on Channel 2 (KTVU) during that bygone age of the mid to late 70’s. Bob passed away on January 7, 2009 due to complications from Alzheimers. Both of his shows had a profound effect on my life and Bob’s enthusiasm for all things Horror and Sci-Fi has fueled my passion for VFX for as long as I can remember. This is the man (along with his faithful side-kick 2T2) that single handedly introduced me to Ultraman, Johnny Sokko and his Flying Robots, Starblazers and who could forget Bambi vs Godzilla. I don’t know if he set out to do anything more than capitalize on the Star Wars craze that was sweeping the nation at the time, but whatever the reason Wilkins ended up bringing a lot of joy to the kids of the Bay Area. So long Bob, thanks, and remember “Truth Prevails”.

LINK to memorial slide show on Bob’s site

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Animation Guild Shatters L.A. Times’ “Vision Of Tomorrow”

Wednesday, January 7th, 2009
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Steve Hulett has posted a scathing criticism of the new crowd sourced via Facebook animation project Mass Animation. According to an L.A. Times editorial

Through Facebook, Mass Animation invited the public to create scenes for its first short video, “Live Music.” The company supplied the animation software, the story, backgrounds, characters and audio. Animators whose work is chosen will receive $500 per scene. All told, the project will cost about $1 million and take six months to complete, a fraction of the money and time required for a comparable Hollywood project.

Hulett takes the position that this is unfair to the participants and just another case of a Hollywood bigwig out to exploit the animation community. He states

if the editorial reflects reality, (Mass Animation) is keen on owning the content, making the animators low-paid sub-contractors.

This would make a little more sense to me if the project was not an opt-in proposition. People who submit their work are hoping for a break, something young folks would pay for these days. My question to the guild… How are new animators, passionate about the work they do, supposed to get into the industry?

LINK to the post on the Animation Guild’s blog

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Nuking the Fridge - A Visual Effects Backlash In The Making?

Wednesday, July 2nd, 2008
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What is “Nuking The Fridge”, you ask? Well, according to Urban Dictionary it’s…

A colloquialism used to delineate the precise moment at which a cinematic franchise has crossed over from remote plausibility to self parodying absurdity, usually indicating a low point in the series from which it is unlikely to recover.

Guy 1: “Wow. Did you see the new Indy movie? What the hell was that? It was like I was having some kind of flu induced absurdist nightmare.”

Guy 2: “Yep… did or did not that series permanently Nuke the Fridge?”

“Nuke The Fridge” has official replaced “Jump The Shark” as the term du jour on many Blogs and websites as well as IN the vernaculars of many VFX professionals. Does it trouble anyone else out there that a phrase previously used to conjure nostalgic memories of 70’s era schmaltz and lameness (c’mon Fonz, who wears a leather jacket while they are water skiing?) is now linked to an overwrought effects sequence? I’ve been bemoaning the fact that the modern VFX world is a lot more coulda’ and not enough shoulda’ on this blog for almost a year now and there are signs that things are coming to a head. Are Indy’s CG gophers and the technicolor dragon vomit that made up Speed Racer eliciting a collective cry of “Enough with the CGI already!” from the general public?

A case that a shift in popular opinion might be made based on the recent spat of blog posts and movie reviews based on the subject of a public grown desensitized and weary of movie magic. Scott Nye postED this tidbit on chud.com not to long ago.

But much as I support CGI, I do acknowledge it’s also an overused, lazy way to create what could have been an amazing sequence if done practically

And it’s not just the Matrix Generation thats bent out of shape about the state of visual effects. Johanna Schneller, movie critic at globeandmail.com observes…

I realize that CGI is a thrilling toy, a technology that seems to advance by the minute, that gets more fun the more you play with it. And I realize that in Hollywood, it’s become a tautology: Blockbusters have CGI, so if you want your film to be a bigger blockbuster, it must have ever-more-massive chunks of CGI. But I’m not sure that filmmakers realize what a yawn it is to sit through

This simmering animosity towards VFX has also jumped from film critics and nerds to the video game community. In a post on PTD magazine, William Stapleton asks these tough questions after taking his son to see the new Hulk flick.

what happens when the ‘gee-whiz’ wears off? My grandchildren will take CGI technology for granted, because they’ll grow up in a time when it’s the norm, instead of something that’s new and exciting. I’ll admit, I’ve gone to a few films where the only redeeming quality was the power of its special effects. But what will happen when special effects aren’t ’special’ anymore?

I realize that three fairly obscure blog posts do mot a backlash make, but I have to ask. Is this the begging of the end?. Visual Effects films, like any other cinematic style, have always been subject to cycles of popularity. The cold war fueled sci-fi boom of the 50’s eventually trailed off and didn’t pick back up again until the 70’s. It could be argued that we are on the downside of peak in interest in science fiction (the key driver of the VFX film) that was spurred on by the rise of the Internet. On top of that, we are quickly coming to a point where we are simply going to run out of comic books and sci-fi classics to “re-invent”. What’s next Power Pack:The Movie? Last Starfighter 2: Electric Boogaloo??

We all need to face up to the fact that the current trend of CGI blockbusters may come to an end some day. Heck even the sun will run out of fuel and burn itself out at some point. To survive VFX has to move past the gimmick phase and become a truly integral tool in production. Some films already do a great job of this (Children of Men comes to mind) while most use the technology as a crutch to prop up aging action heros or a way to create asinine comic relief for bad screenplays. Don’t get me wrong the computer artistry that goes into a lot of these films is astounding. Too bad it’s often wasted on a disappointing, or worse yet forgettable, piece of entertainment. Let’s hope that the entire VFX industry hasn’t collectively jumped the shark, I mean, nuked the fridge.

Thanks to VFXPlanet for the links to the stories used in this post

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Wireframez Episode 1

Thursday, June 5th, 2008
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Just started this comic over at Strip Generator. Loads of fun, more to come.

LINK to the full Wireframez strip blog

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Headphone Check - 5 Great Audiobooks for VFX Folks

Wednesday, May 14th, 2008
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With all the crazy hours us VFX peeps slog through on a regular basis, certain activities can get swept to the side. Reading seems to be at the top of that list. After a long day chained to the desktop it’s hard to do anything at home but veg and try to unwind. And carving out a hour or so a night for reading just doesn’t seem like the thing to do considering there are several more songs left to be unlocked on Guitar Hero (or maybe that’s just me). Lucky for me I have a about an hour and half commuting time to catch up on my book learnin. Of course holding a page full of printed words up in front of my face while I wind my way down Laurel Canyon every day might prove to be a bit problematic. Audiobooks to the rescue. Now I know some of you are saying “Audiobooks? That’s not really reading.” Well, I hate to inform you that you are wrong. All of my friends who are avid listeners have decided that as long as you listen to the whole audio program in it’s unabridged form, you can say that you have read the book. So there, print snobs. Here are my five picks for great listens picked especially for my VFX brethren.

Fragile Things by Neil Gaiman-

I’m a huge fan of audiobooks that are read by their author. Hearing Neil Gaiman recount many of the short stories he’s written over the years is pure magic. The tales the gamut including examples of Gaiman’s sci-fi, fantasy, horror and even a bit of poetry. There is a story set in the world of the Matrix and novella that features the continuing adventures of some of the characters masterpiece American Gods. A lot of the stories are bite-sized and easy to finish off if you’ve only got a few minutes to kill between renders.

A Short History of Nearly Everything by Bill Bryson-

If you are a know-it-all like me, you must read this book. It gives you just enough info on about this rock that we live on to be dangerous, or at least completely annoying over cocktails. Bryson covers a wide range of scientific discoveries that you alway thought that you should know about and presents them with a mater of fact sense of humor that even makes them interesting. A word of warning though. This book shows how humans scientists use their powers of reason and observation to create “theories”. Intelligent designers might be offended.

Star Wars (Dramatized) by George Lucas-

Imagine watching the original Star Wars (episode IV, in case you just arrived in a time machine from 1976) without any visuals what-so-ever. I mean just the audio and a blank screen. It doesn’t take a genius to figure out that it would be a tremendously boring experience. So when, Lucas commissioned the for Radio version of his Sci-Fi classic in 1981 he made sure that it included expanded scenes not featured in the film to flesh out the radio play’s 6 1/2 hour running time. The result is a must for any Star Wars fan and includes great performances from Mark Hamill and Anthony Daniels.

World War Z by Max Brooks-

I’m not a huge fan of the alternate history genre. I really couldn’t give a crap what some history nerd thinks the world would be like of the South actually won the civil war. But if you are like me, you have spent countless hours thinking to yourself “Now what would I do during a Zombie apocalypse?”. Well World War Z gives you a ground level view of what happens when the dead roam the earth on search of human flesh in the form of first person accounts from the Zombie War. If there is one thing I’ve learned from this book, if you are ever in the front lines of a confrontation with the undead, stay away from large bodies of water.

The Areas Of My Expertise by John Hodgman-

Hodgman himself reads his Farmer’s Almanac meets The Onion send up of a variety of topics from Lobsters to Hobo Matters. You’ll probably recognize Hodgman from the Daily Show and as the PC on the “I’m a Mac and I’m a PC” commercials. Be careful though if you are listening on headphones while other people are around you will laugh out loud and appear to be an insane person to other join your vicinity. Take note that the list of 700 hobo names is available for free from Hodgman’s web site and takes over an hour for him to read.

LINK to hobo drawings at e-hobo

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Imageworks Peeps Imagine Life After India

Monday, April 7th, 2008

This Bollywood style dream sequence takes you inside the mind of a CG animator faced with the prospect of life after outsourcing. It’s pretty funny but falls a bit into the category of gallows humor considering all the people in this video could be replaced someday soon by their Indian counter-parts. Ah well, if you can’t laugh at yourself who can you laugh at?

(via Cartoon Brew)

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Survey Sez! Animators, A Bunch Of Dudes That Hate Mocap

Friday, March 21st, 2008
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AWN has posted an article revealing the results of an animation survey filled out by over 300 readers. It’s not surprising that most of the surveyed are guys who have a boner for hand drawn animation. It seems that they are particularly disturbed about the direction the winds of change are blowing in regards regards to mocap. Mark Simon sums up the issue thusly.

Sony Imageworks and Beowulf director Robert Zemeckis spent over $150 million producing a motion-capture CG animation movie. Want to know what scored the lowest in the survey of favorite animation styles? Motion-capture CG animation. Barely 2% of the survey-takers prefer this style of animation. It would seem that this is not a good investment.

I do have to agree that the Citizen Kane of mo-cap movies has yet to be made. And It looks like the movie biz has a long way to go in convincing the animators of the world that scaling the cliffs of the uncanny valley is worthy a pursuit.

LINK to full survey results (via VFXPlanet)

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VES Awards Recap

Monday, February 11th, 2008

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Last night I attended the 6th annual VES Awards where geeks from around the globe throw on a Monkey Suit to pat each other on the back. Of course this mutual admiration is will deserved and all in all I had a fantastic time. I’m big on community and the best part of the evening for me was re-conecting with old friends and colleges and getting a chance to reflect over the VFX accomplishments of the last year and think about where our industry is heading in the future. Now, while everyone is gonna report on the winners and losers today, I thought I’d give you my favorite moments from the ceremony last night.

Eric Roth’s Opening Address

Eric Roth (Exec Director of the VES) opened the evening by making a few proclamations. First, there will be a VES handbook published this year which is sure to be a page turner. He also busted out with some industry predictions claiming that this will be the year that a studio will try to make a fully un-uncanny valley actor for a major motion picture. Roth also foretold the death of roto-scoping and other labor heavy compositing tasks due to advances in software. This prophesy brought a slight chill over the room, I guess some people were shaken by the idea that things as they are might change in the future.

Patton Oswald Presents

OK, everyone knows that I am a sick fanboy for Patton’s work as a stand-up comic. But he really brought the house down last night giving everyone a welcome break from the monotonous droning of the other presenters. He started off with a fake story about working with Steven Spielberg as a snake wrangler on Deul. His yarn began with an all night tequila binge with Lee Marvin and Karen Back and ended with Patton and S.S. tied together in a shirtless knife fight. During the fight Oswald suggests changing Steve’s original idea for villain in Jaws from a Grouper to Great White just before having is trapezius sliced. Patton ended the bit by looking at Spielberg and shouting “And you didn’t even take me with you!” Hilarious.

Everyone Thanks Their Wife

Every winner thanked there wives (or significant others) for putting up with the crap hours that it takes to do VFX. The wives looked a little uncomfortable during this public pseudo-appology, looking like inside they were thinking “Whatever dude, don’t think your getting out of hot water next time just cuz’ you thanked me at an awards ceremony”. It also brought into focus that there are way to few female artists and supervisors in VFX. Looking at the nominees and winners from last night, it seems to me that the VFX world is still an old boys club.

Spielberg Accepts and Comments

Steven Spielberg accepted a lifetime achievement award from the VES last night. He was gracious and articulate, recounting stories from his childhood of making VFX in his bedroom with just some black poster board, a Revell model spaceship and Super-8 camera. I thought is was great that he focused on the passion and creativity of making VFX and loved his suggestion that the VES start a new category for student work to recognize talent on it’s way up. His acceptance speech really brought everyone in the room back that that place that got them into VFX in the first place. That made the whole evening worth it for me.

Michael Bay Kinda Acts Like A Tool

After Spielberg’s stirring speech, Michael Bay came out to present. He told a story about working with Steven as a young turk. The 15 year old Bay had caught wind that his mentor was making a movie call Raiders Of The Lost Arc. After reading the script Bay promptly called all his friends claiming “This movie’s gonna suck!”. Obviously, he thought this was a funny anecdote and played it for laughs. But it just came off as kind of a jerky move right after the guy got a lifetime achievement award. It just shows you that success does not equate with good taste.

LINK to PDF of the 6th annual VES Awards Winners

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WGA Strike To End? - Let’s Hope So

Tuesday, February 5th, 2008

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In case you haven’t heard, things seem to be looking up on the WGA negotiations lately. An extremely rosey picture was painted on the LA Times front page yesterday. Since then the story has been picked up all over the place and the mood seems to be very positive. Deadline Hollywood reported that Peter Chernin told to good old boys in the sky box at the Super Bowl that ” the strike is over “. But before we pop open the bubbly and start giving non-ironic high-fives left and right, it wouldn’t be a real Hollywood cock-up without a coupla turds in the proverbial punch bowl.

Michael Russnow throws up this gem on The Huffington Post called The WGA Strike For Dummies: It Ain’t Over ’til It’s Over. He describes his woes thusly

I’d like the Writers Guild strike to end. I’m tired of getting up earlier than I prefer to every morning to go picketing at CBS Television City in Hollywood most days of every week. Even though I don’t have a job to immediately go back to, like most other unemployed or underemployed writers I have a stake in the strike’s conclusion, because I have several projects which I’d like to pursue, and I can’t until we cross the finish line.

We in the VFX industry would also like the strike to end, more than that, we need it to end. We would all get up earlier than we prefer every morning to pursue the several projects that we have going on namely paying our bills and supporting our families.

Larry Gelbart, longtime tinsel-town writer and WGA member, has lent his voice to this automated phone message sent out members on Sunday urging fellow members to

set aside all the rumors, all the second-guessing, I ask you to set these aside and pick up a picket sign instead.

I get it. I mean it would be a terrible negotiating tactic for the WGA to simply roll up the picket lines and go home when their leardship is trying to finalize a deal. But please guys. We in the VFX community are all for a fair deal for creative folks but we need both parties to sit down without the theatrics and hammer this thing out. There was great piece in Friday’s LA Times about the trickle-down effect of the strike on other people working in the industry. It centers around the thought of set dress Michael O’Donnel a set dresser for TV shows. He sums up the situation nicely, claiming to

understand the principle behind the WGA strike, the need to fight for a fair share of whatever revenue streams emerge from new media. “The sons and daughters of the idle rich,” was what O’Donnell called the people who run the studios. Mostly, though, they just want to get back to work

I think we can all agree with Michael on that last bit.

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Step Away From The Fun Size

Wednesday, January 30th, 2008

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Filed under “Thank you, Captain Obvious”, ABC Australia reported on a study yesterday that scientists have proven once and for all that, get this, eating junk food makes you feel better but is still really bad for you. I believe that these fine men and women of the University of New South Wales didn’t have to go through all the trouble of carefully designing and carrying a rigorous scientific study to get this information. All they really had to do was visit the kitchen counters and cabinets of a VFX house. Visual Effects companies have known for years that a good stock of crap food is essential for the running of a smooth operation. Got yelled at by client? A coupla’-five bite size Snickers will fix you up real nice. About to throw yourself off the nearest, highest edifice because a client un-finaled a dozen or so shots causing you to cancel that ski trip you’ve been planning for months? Well, does the phrase “Hey, pizza rolls and mini corn-dogs are up!” make you feel any better? Heck, I think some places would put heroin in the York Peppermint Patties if they could get away with it.

The fact is, that we are a young industry and I think we haven’t seen the full effects of what three weeks of ingesting nothing but coffee and hot pockets can do to a person. I know it’s tough, I think I’ve eaten at least four and half pounds of trail mix for each week of the writer’s strike, but I’ve found a stroll around the building can clear the mind better than a package of Kraft’s Cheese ‘N Crackers. So do yourself a favor, skip a snack or two, we all could stand to reduce the size of our chewy liquid center just a little bit.

LINK to the ABC news story

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